Valerie Day Valerie Day

When We Played for 40 Million People (and Didn't Know It)

In 1986, Atlantic Records sent Valerie and me on a promotional tour of Europe. We were jet-lagged, shell-shocked by sudden fame, and completely unprepared for what we would find across the pond. We appeared on over a dozen radio and TV shows in England, France, and Italy, including a little BBC thing called…TOP OF THE POPS.

Welcome to the pre-Internet era of rock stardom, where you could conquer Europe and have no clue you were doing it.

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Valerie Day Valerie Day

Everything About The Making Of I Can't Wait

Did you know 'I Can't Wait' was originally much faster? When we slowed it down to 104 BPM in the studio, the band thought John was crazy! But that slower groove, combined with some engineering magic and creative percussion (including wine bottles!), helped create the sound y’all know and love.

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Valerie Day Valerie Day

THE GOLDEN AGE OF THE PORTLAND MUSIC SCENE

It's our humble opinion that Portland, Oregon, for a brief period in the 1980s, had the best music scene IN THE WORLD.* I should qualify this by saying we only had New York and L.A. to compare it to: New York, where famous jazz guys were making fifty bucks a night, and L.A., where you had "Pay to Play." [I.e., Sell tickets to get a slot on the club stage, where you'd get exposure and hopefully gain the attention of an A&R man from a major label. People die of exposure.]

Portland was different. For a Golden Period, from around 1980-86, dozens of clubs opened. There was a brief relaxation in Oregon’s strict liquor laws. This came at the exact moment when Nu Shooz changed from a struggling four-piece to a nine-piece band with four horns.

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