Valerie Day Valerie Day

It Takes A Universe

It's been interesting around here, a hundred projects going on at once. Carpenters are upstairs rebuilding the shower while downstairs we're working with our friend Mariecella on choreography for the horn section.

Somewhere on the other side of town the finishing touches are being applied to our "nu" website by a guy named Daniel Webb (really - you can't make this stuff up!) and Tim Simpson is building a synth-guitar system so we can trigger piano sounds from a six string.

We have a summer-ful of shows coming up and a million details to attend to; costumes, charts, drum heads, wires, vans....Whoever said it takes a village was only partly right.

It takes a universe.

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Nu Shooz and director Jim Blashfield talk about “I Can’t Wait” in an interview w/Sloan de Forest

When citing examples of music video directors with signature looks, names like Anton Corbijn or Matt Mahurin jump out, but the unfortunately overlooked genius in this club must be Jim Blashfield. Creating a trademark visual sensibility with just a handful of videos, the Oregon native created dreamlike fantasies with a cut-out xerographic animation style that reveals a gentle magic hiding the ordinary — strangely devilish garage-sale travelogues, if you will. Jim’s artisan videos, which embrace both texture and perspective, include Talking Heads’ “And She Was,” Paul Simon’s “Boy in the Bubble,” Tears for Fears’ “Sowing the Seeds of Love” and Michael Jackson’s wildly self-effacing “Leave Me Alone.” His most visually-trippy grab bag of kitchen sink mischief, though, is his clip for Nu Shooz’s “I Can’t Wait” from their album Poolside. The video he created for his fellow Portlanders, Valerie Day and John Smith, helped propel the duo’s inescapably catchy hit into pop history — and also into the still-curious minds of video music fans everywhere.

I spoke to Jim recently about his career, and he shared his experience on creating this amazing piece of filmmaking:

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TOP 5 THINGS TO DO WHILE RECOVERING FROM AN APPENDECTOMY

I had a pretty mellow Father's Day, all things considered. Got to spend the whole day in a comfortable chair, reading. It would have been perfect except that the chair was in the waiting room at St. Vincent Hospital. Valerie woke up that morning in severe pain. By noon it wasn't getting any better so we went to the Emergency Room. Within the hour she was under the knife, being parted from her  APPENDIX!

The Appendix is like the 'Vice President of Internal Organs,' [i.e.; no known function] So as I sat reading in Father's Day splendor, Valerie's Appendix was being impeached. The offending organ went quietly, stating only that it "wanted to spend more time with family."

As luck would have it, the surgeon was a Nu Shooz fan. As they wheeled her into surgery, he asked "Are you the Valerie Day?" Turns out he still had his old 45.

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KUNG PAO & DONUTS

This year, by supernatural coincidence, National Donut Day came in the same week as the release of the NU SHOOZ latest album, Kung Pao Kitchen. We feel that this harmonic convergence deserves some quiet reflection…

TODAY’S MEDITATION:
What does the latest Nu Shooz release, Kung Pao Kitchen, have in common with a donut?

For starters, both have a hole in the center. While we could go deep into the meaning of that Negative Space, it’s the part we can see where the richness lies. This richness can only be experienced directly. Bite into the donut. Dive into the music.

Only then is the true flavor to be revealed.

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The Sweet Middle

It’s a frightening time to be an artist. On one hand we have technological capabilities undreamed of thirty years ago. On the other, our lives are so full of distractions it’s a wonder anyone can do anything. Worst of all, it’s impossible to get anyone’s attention these days, not without a million dollar advertising blitz. Open up the paper and there are thousands of bands, art exhibits, films, dance performances, a tsunami of artists.

Welcome to the Post-Modern world.

In the midst of this apocalyptic scenario, the conversation around our house lately has been ‘Why do art at all?’

Here’s what we came up with:

 

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Don't Push The River: Movement Is Life

Thirty million years ago, we were writing songs for the fifth Nu Shooz album. It was a struggle. The label hated everything we handed in. We began to doubt ourselves. But I’m proud to say we didn’t stop.

Movement is life, and by moving, we know we’re alive.

Sink or swim, baby.

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Russ' Retro Rock Interviews The Shooz

We recently christened the new 80s feature on Russ' Retro Rock! Even though some of these questions have been asked before, we discover something new about ourselves every time we answer them...and we hope you do too! Enjoy.

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Valerie Day Valerie Day

Mahavishnu and Music As Mating Ritual

I read an article in Scientific American Mind about music preferences in humans.  Different personality types prefer different levels of complexity in music art and literature.  Extroverts love mainstream pop, they love magazines, and Mark Rothko.  Introverts love dissonance, byzantine novels, and Albrecht Durer.

Extroverts want their expectations fulfilled.

Introverts want to be confused.

These are gross generalizations, but see if they ring true for you.

(You’ll see where I’m going with this in a second.)

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